My
Life
(Personal/Provincial Story)
By: Anton
Chekhov
Book
of “MY Life”
SUMMARY
Subtitled "The
Story of a Provincial" this tale deals with the life of Misail Poloznev, a
young gentleman who renounces the "privilege of capital and
education" in favor of earning his living through manual labor. Misail's
architect father despairs of his son's pedestrian ambitions and beats him for
refusing to work as a clerk. But Misail stands firm in his goals, even when his
sister Kleopatra begs him to reconsider. Consequently, Kleopatra's friend
Aniuta Blagovo finds him work building a railway line for the engineer
Dolzhikov.
Despite his initial optimism, Misail soon grows weary of Dolzhikov's sneering
attitude and persuades a painter and laborer named Radish to employ him as a
workman. Society's response to the protagonist's new lifestyle is
overwhelmingly negative: people throw water at him in the street and accuse him
of shaming his father. Although a family friend named Dr. Blagovo congratulates
Misail on his integrity of character, he argues with the young man about the
merits of manual labor. These arguments do not move the protagonist, who
suspects that the doctor only pays him visits in order to see Kleopatra. As
time passes, Misail's father grows enraged by his son's actions and disinherits
him. The protagonist discusses his dreams with Masha Dolzhikov, the engineer's
daughter, who is intrigued by the Misail's idealism. She encourages him to pay
her frequent visits, and the young couple soon falls "passionately in
love."
The lovers move to the
village of Dubechnia, get married, and manage Dolzhikov's country estate there.
Kleopatra offers them her blessing, although she informs Misail that their
father is deeply upset. The newlyweds' happiness is also marred in other ways:
the local peasantry steals from the landowners, and Masha's plans to build a
school are undermined by the village council. This causes problems within the
marriage—while Masha grows to detest the peasants, Misail decides that their
imaginations have only been "stifled" by monotonous thoughts. Over
the course of the summer, Misail notices that Masha spends more time with a
handsome man named Stephan, who abuses his fellow peasants at every
opportunity. It comes as no surprise when Masha tells her husband that she is
disgusted by all the "filth … [and] petty, mercenary interests" of
provincial life. She departs for Petersburg and leaves Misail to manage his
farm.
The protagonist is
shocked to discover that his sister has become pregnant by Dr. Blagovo. The
siblings move in together with Radish, and Masha writes asking for a divorce.
Kleopatra comforts Misail by informing him that Aniuta is in love with him but
that she cannot hope to marry him without compromising her respectability. The
bemused Misail fills his time thinking about love and the vagaries of fate. He
visits his father to tell him that Kleopatra is terminally ill, and the two men
berate one another for their failures in life. After his sister dies, Misail
takes his little niece to visit her mother's grave. Misail notes with sadness
that although people have accepted his job as a laborer, he is now
"silent, stern, and austere."
ANALYSIS
First published in
censored form in 1896, this tale is one of Chekhov's longest and most
politically contentious, as Donald Rayfield notes. It draws on common themes
such as the town/country divide, self-realization through trial and hardship,
and the disillusionment of failed ideals. Although Masha and Misail appear to
be the perfect match, we see that the young woman is more intrigued by leading
an "interesting" life than she is troubled by a social conscience. As
a result, it is no surprise that Masha becomes disenchanted with the coarse
Russian peasantry. In her comment to her husband, "if you work, dress, eat
like a peasant you legitimize, as it were … their heavy, clumsy dress, their
horrible huts, their stupid beards," we see Masha's distaste for a real—as
opposed to an idealized—peasant lifestyle. In contrast, Misail's hardships only
strengthen his resolve to live close to the land. Misail recognizes his wife's
shallow liberalism and concludes, "ideas and a fashionable intellectual
movement served simply for her recreation … and I was only the coach-driver who
drove her from one entertainment to the other." Chekhov thus weaves
marital conflict with social tensions to emphasize the complexity of the issues
he is examining. Masha is not simply a hypocritical member of the gentry, who
overlooks her father's alcoholism but revolts at the peasants' fondness for
vodka; she is a woman who enters into debate on issues that concern her but for
reasons of self-interest rather than altruism.
Within this debate, Dr.
Blagovo assumes the cynical viewpoint of the intelligentsia. He is skeptical of
Misail's ideals and argues vehemently that there are "no deep social
currents among us." In his comment to Misail that "[w]e must study,
and study, and study, and we must wait a bit for our deep social currents … to
tell the truth, we don't understand anything about them," the doctor
reveals his own interest in social concerns. But he is unwilling to actually do
anything to help the peasantry. For Blagovo, poverty and oppression are
problems to be examined and intellectualized rather than acted upon. Chekhov
makes no moral judgment on this objectified stance; he merely presents it as
different viewpoint on the issues. As a result, there is no apex to the
ideological triangle formed by Blagovo, Masha and Misail. Each holds his or her
own views and acts according to his or her personal conviction. While we may
sympathize with Misail at the breakup of his marriage and feel anger towards
the doctor for abandoning Kleopatra, Chekhov complicates our view of the
broader sociological issues where one cannot so easily apportion blame.
The tale shares many similarities with Chekhov's personal life. Set in a
provincial town in southern Russia, it recalls the author's childhood home of
Taganrog. Kleopatra's fatal illness recalls Chekhov's lifelong battle with
tuberculosis, and he may have drawn inspiration for Masha's theatrical
personality from any one of his actress-lovers. Also, the author's successful
use of a first-person narrator underlines his identification with much of the
plot. Although not an autobiography, My Life may be read as a fictionalized account of many of Chekhov's own
anxieties and experiences.
THEME/MEANING OF THE STORY
I not have a theme for the story but I tell
what is is mean by MY LIFE by Anton Chekhov? Subtitled "The Story of a
Provincial" this tale deals with the life of Misail Poloznev, a young
gentleman who renounces the "privilege of capital and education" in
favor of earning his living through manual labor. Misail's architect father
despairs of his son's pedestrian ambitions and beats him for refusing to work
as a clerk. But Misail stands firm in his goals, even when his sister Kleopatra
begs him to reconsider. Consequently, Kleopatra's friend Aniuta Blagovo finds
him work building a railway line for the engineer Dolzhikov.I think it is story for hiself or his life to walk
this journey.That’s point.
DO YOU KNOW?
·
Anton Pavlovich
Chekhov (Russian: Анто́н Па́влович Че́хов, pronounced [ɐnˈton ˈpavləvʲɪt͡ɕ ˈt͡ɕexəf];
29 January 1860[1] – 15 July 1904)[2] was a Russian physician, dramaturge and
author who is considered to be among the greatest writers of short stories in
history.] His
career as a dramatist produced four classics and his best short stories are
held in high esteem by writers and critics. Chekhov
practised as a medical
doctor throughout most
of his literary career: "Medicine is my lawful wife", he once said,
"and literature is my mistress."]
·
Chekhov renounced the theatre after the
disastrous reception of The Seagull in
1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre,
which subsequently also produced Chekhov's Uncle Vanya and
premiered his last two plays, Three Sisters andThe Cherry Orchard.
These four works present a challenge to the acting ensemble[7] as well as to audiences, because in
place of conventional action Chekhov offers a "theatre of mood" and a
"submerged life in the text."
·
Renowned as the greatest short story writer ever, Anton Chekhov
was also a master of the novella, and perhaps his most overlooked is this gem, My Life—the tale of
a rebellious young man so disgusted with bourgeois society that he drops out to
live amongst the working classes, only to find himself confronted by the
morally and mentally deadening effects of provincialism.
·
The 1896 tale is partly a commentary on Tolstoyan philosophy,
and partly an autobiographical reflection on Chekhov’s own small-town
background. But it is, more importantly, Chekhov in his prime, displaying all
his famous strengths—vivid characters, restrained but telling details, and
brilliant psychological observation—and one of his most stirring themes: the
youthful struggle to maintain idealism against growing isolation.
Anton Pavlovich Chekhov
IMPRESSION
When I was read the “MY LIFE” from Anton
Chekhove tell about his jorney and his life.I was very inspired because his
life is simple but looks good.
I share the my from his story…..When I living in
provincial near Tarlac, first time I wnt to a tarlac from vacation. My mom tell
us if living pronincial is good or not? But I think living provincial is
enjoying from myself as I experiencing the riding a tribike around the plenty
of palays, to experiencing arvesting a crops such as camotes, vegetables, etc.We
shout anyone as much your says like wishes, calls, and trips.And eating
together with my cousins, aunts, and other members of family.
Now as a student, provincial is very enjoyable
because you find the playmates, friends, choosing a quiet place that you play
and talk something like jokes and sometimes we pick some of green mangos that we eat together with
bagoong. So Delicious !!!!!!!1
Now we share the story by Anton Chekhov, I
repeated his life is so simply and his ambiton we true by author.So anton
Chekhov that’s man you be a good writer like videoke when writer change sings.
Maam you understand my conclusion?
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